SECRETS TO SELL YOUR
DESIGN SERVICES
SECRETS TO SELL YOUR
DESIGN SERVICES
SECRETS TO SELL YOUR
DESIGN SERVICES
SECRETS TO SELL YOUR
DESIGN SERVICES
DROP CITy
7 giugno - 16:00
10 giugno - 16:00
DROP CITy
7 giugno - 16:00
10 giugno - 16:00
DROP CITy
7 giugno - 16:00
10 giugno - 16:00
DROP CITy
7 giugno - 16:00
10 giugno - 16:00
Secrets to selling your design services is an interactive performance demonstrating the seducing aspects of buying and selling design services. Design duo Xsenofemme will invite the audience to join them in a live negotiation process, which will ideally result in the signing of a contract, and the formalization of a sale.
Design exists because of a very elemental human need to satisfy a certain desire for beauty, a lust for forms, a pleasure derived from owning. Design fairs like Salone del Mobile, become places where designers sell themselves more than their objects, since objects alone are not enough anymore for the voracious audience. They are used to selling parts of their corporeal identity such as specialized crafts, unique techniques, and the overall invisible physical choreography of labor behind their projects. The deepest desire of the designer becomes the one to be owned, to be bought just like its objects. The designers' financial dream is represented by the buyer, who expresses the complementary desire to own, to buy. The designer and the buyer, then enter in a waltz of negotiating ownership.
Secrets to selling your design services is an interactive performance demonstrating the seducing aspects of buying and selling design services. Design duo Xsenofemme will invite the audience to join them in a live negotiation process, which will ideally result in the signing of a contract, and the formalization of a sale.
Design exists because of a very elemental human need to satisfy a certain desire for beauty, a lust for forms, a pleasure derived from owning. Design fairs like Salone del Mobile, become places where designers sell themselves more than their objects, since objects alone are not enough anymore for the voracious audience. They are used to selling parts of their corporeal identity such as specialized crafts, unique techniques, and the overall invisible physical choreography of labor behind their projects. The deepest desire of the designer becomes the one to be owned, to be bought just like its objects. The designers' financial dream is represented by the buyer, who expresses the complementary desire to own, to buy. The designer and the buyer, then enter in a waltz of negotiating ownership.
Secrets to selling your design services is an interactive performance demonstrating the seducing aspects of buying and selling design services. Design duo Xsenofemme will invite the audience to join them in a live negotiation process, which will ideally result in the signing of a contract, and the formalization of a sale.
Design exists because of a very elemental human need to satisfy a certain desire for beauty, a lust for forms, a pleasure derived from owning. Design fairs like Salone del Mobile, become places where designers sell themselves more than their objects, since objects alone are not enough anymore for the voracious audience. They are used to selling parts of their corporeal identity such as specialized crafts, unique techniques, and the overall invisible physical choreography of labor behind their projects. The deepest desire of the designer becomes the one to be owned, to be bought just like its objects. The designers' financial dream is represented by the buyer, who expresses the complementary desire to own, to buy. The designer and the buyer, then enter in a waltz of negotiating ownership.
Secrets to selling your design services is an interactive performance demonstrating the seducing aspects of buying and selling design services. Design duo Xsenofemme will invite the audience to join them in a live negotiation process, which will ideally result in the signing of a contract, and the formalization of a sale.
Design exists because of a very elemental human need to satisfy a certain desire for beauty, a lust for forms, a pleasure derived from owning. Design fairs like Salone del Mobile, become places where designers sell themselves more than their objects, since objects alone are not enough anymore for the voracious audience. They are used to selling parts of their corporeal identity such as specialized crafts, unique techniques, and the overall invisible physical choreography of labor behind their projects. The deepest desire of the designer becomes the one to be owned, to be bought just like its objects. The designers' financial dream is represented by the buyer, who expresses the complementary desire to own, to buy. The designer and the buyer, then enter in a waltz of negotiating ownership.
Knows too much, 2021
Knows too much, Workshop and installation, Mu Hybrid Art House, 2021
Knows too much is a workshop and collective digital spell to reframe the human-device connection. For the exhibition Fremdkörper, in the temple of sleep designed by Boogaerdt/VanderShoot, participants interrogated their own smartphones as modern soothsayers, unveiling the subconscious symbols that --very much like dreams-- inhabit their digital realities. As a closing ritual a magic circle, casted through digital objects relating to the four elements, served to create a collective spell. Participants scanned their own smartphone with herbs, printing a materialization of their own algorithmic life. The printed pages were then buried inside a vase created from a discarded computer. Flowers are currently growing from this vase. Performing this communal “psychic surgery”, the workshop aim was to work with the ineffable language of magic and produce a set of tools to be used for cyber interpretation and protection.
Knows too much, Workshop and installation, Mu Hybrid Art House, 2021
Knows Too Much, Water element, Installation (2021); gel mousepad, amethyst stone, fresh flowers
Knows Too Much, Fire element, Installation (2021); charger, green aventurine
Knows too much, Scanning 1 (2021), smartphone, rose buds, laurel leaves.